For me, music and sports go together like milk and fresh-from-the-oven brownies. Whether it’s hearing Alabama’s Rammer Jammer cheer or “Crazy Train” when Atlanta’s Chipper Jones steps up to the plate or “I’m Bad” while working out, music gets me fired up.
So as the Boys of Summer get ready to make a run for October and the Boys of Fall kick off their season, I’ve got singer/musician Chris Blake here to talk about how music makes the sports we love even better.
Chris, whose latest EP Girl is just out, explains why sports and music are so intertwined. “Music does so much to bring the game to a new level–particularly baseball,” he says. “Music accompanies celebration, loss, traditions like the 7th-inning stretch. It adds to the tension, like when the organist plays Charge! during a two-out, bases-loaded situation.
“Music also keeps us entertained in a big way during the breaks between innings–like when the little kid starts playing air guitar to Don’t Stop Believin’ at Dodger Stadium!”
While Chris enjoys a few college football match-ups each year, baseball is his real love. The Southern Cal Trojan says, “The only reason I ever really watched football games back in college was to drink beer.”
However, he figured out that baseball was much more conducive to beer-drinking. “You could lose an entire inning waiting in line for a Coors Light and still come back to your seat and not have missed anything.”
A Chicago White Sox fan, 2005 was a big year for Chris and his family as the team won the World Series. “Along the way (catcher) A.J. Pierzynski brought (Journey’s) Steve Perry along for the ride, and now, even though I had such strong childhood memories attached to ‘Don’t Stop Believin’ ’, all I can think of when I hear it now is how amazing it was at that moment when the Sox somehow managed to go all the way.”
So I got this email the other day from Jennifer with the Hear the World initiative about a photography contest, sponsored by Phonak, called “Show Us Your Hearing.” The project wants to see you in a “conscious pose of hearing” (hand cupped behind your ear) and aims to raise awareness of hearing loss, which affects 16 percent of the world.
Each year in the United States alone, 12,000 babies are born with hearing loss, and the American Academy of Otolaryngology-Head and Neck Surgery reports that 1.3 million children under age 3 have a hearing impairment.
Clearly, hearing loss affects every aspect of a child’s life, from academics to developmental to social issues. Most of you know our story: Our daughter, Riley, was diagnosed with profound deafness when she was around 18 months old. We were devastated, but with education and information we made the right decision for our family. Just before she turned 2, she had cochlear implant surgery and now at age 8, she is a bilateral CI user headed to the third grade, an all-star softball player and an incredible dancer.
Some big names in music are part of this initiative including Annie Lennox, Rod Stewart, Common, Billy Idol, Harry Belafonte, Joss Stone, Lenny Kravitz. Singer-songwriter and photographer Bryan Adams captured each ambassador in the “hearing pose,” which “demonstrates the importance of being aware of your hearing at every age.”
Now the initiative wants you to submit your own photo! Details are below.
Show Us Your Hearing
WHEN IS THE CONTEST DEADLINE? Monday, July 12th HOW DO I ENTER? To enter, follow these 5 easy steps:
1. Register: You will receive an email registration confirmation from Hear the World. If you don’t receive an email, please check your Junk Mail folder.
2. Visit: Click the “enter the contest” button, and enter the entry form.
3. Upload a photograph of you, a friend, or family member in the “Conscious Pose of Hearing.” The photo must be high res (300dpi), between 1MB – 3MB.
4. Give your photograph a title and provide a description of up to 100 words describing the importance of being aware of your hearing at every age.
5. Click “Send.” Your Entry will not be officially entered into the Competition unless you click the final Send button and receive a confirmation screen that states that your Entry was accepted.
WHY SHOULD I ENTER?
To take a moment to think about your sense of hearing and the sounds you are grateful to hear every day.
To support the Hear the World initiative, which is dedicated to raising awareness about the importance of hearing, while also educating the public about the consequences of hearing loss and the available solutions.
For a chance to win a Polaroid 300 Instant Camera and for a chance to see your photograph published in the award-winning Hear the World magazine.
WHAT ARE THE JUDGES LOOKING FOR?
Most visually appealing–50%
100 word description–10%
HOW AND WHEN WILL THE GRAND PRIZE WINNER BE DETERMINED?
1. The public will vote on their favorite photo between July 13 – August 3.
2. The top five entries that receive the most votes will be judged by a panel of judges between August 4 – August 10.
3. The grand prize winner will be announced on August 16 on the Hear the World website. Winners will be notified by phone and email.
Disclosure: Riley wore Phonak hearing aids before she received her cochlear implants, but that was in 2003, way before this contest was even a twinkle in the marketing department’s eyes. Heck, before I replied to the email, they didn’t even know I had a child with hearing loss.
Joey McIntyre of New Kids on the Block and Dancing with the Stars fame shares his family’s story of hearing loss in the latest issue of People magazine. His youngest son, 3-month-old Rhys, has been diagnosed with a severe loss and is wearing hearing aids. According to the article, the family is working with an auditory-verbal therapist and might consider cochlear implants.
Many of the comments on the article are insulting, rude, and just plain ignorant. While I have no problem with a family wanting to immerse their hearing-impaired child in Deaf culture, I do have a problem with those same people spreading lies and accusing other families of abuse because they made a different choice.
I’m going to address 20 things posted in the article’s comments and clear up a few misconceptions about cochlear implants. Feel free to ask questions in the comments section or share this post with others.
1. Cochlear implants DO NOT require additional surgeries as a child grows. The only reason additional surgery would be needed is if the device failed. CIs have a 1% failure rate.
2. Cochlear implants ARE NOT implanted into the brain. It IS NOT brain surgery.
3. If parents want their child to use spoken language, they CANNOT WAIT until the child is old enough to “make the decision for himself.” Most language learning occurs before the age of 3, so waiting would put the child at a terrible disadvantage.
4. Sign language is great, if a family wants to learn it. My family, for instance, is HUGE. I didn’t expect all 100 of them to learn ASL. Even if they wanted to, it would be nearly impossible, and Riley would’ve had no way to communicate with cousins, great aunts, and I didn’t want that.
5. My daughter knows a few signs, for those times when she doesn’t wear her CI processors, but she doesn’t “rely on” ASL and doesn’t need to.
6. Speech is available at birth. How do you think typically hearing children learn language? It seems that Rhys is benefiting from his hearing aids, so using spoken language is appropriate.
7. The implant is NOT DRILLED into the skull, like a screw is drilled into a piece of wood. A pocket for the implant is carved into the skull and a small hole is drilled into the mastoid bone so that the electrode array can be inserted into the cochlea. Read more on cochlear implant surgery at Tampa Bay Hearing and Balance Center.
8. Cochlear implants don’t “fix” hearing and don’t claim to. They offer users access to sound. Just like you have to learn to speak, you also have to learn to hear.
9. AG Bell is a proponent of listening and spoken language, but that doesn’t mean the organization is against sign language. It’s not either/or.
10. Auditory-Verbal Therapy focuses on teaching a child to use her hearing and learn to speak. It DOES NOT “forbid” all gestures; in fact, a hand cue is used during therapy. It signals the child to listen.
11. If deafness is not a disability, why do so many Deaf people use hearing aids? What are you trying to “fix”?
12. Riley’s CIs don’t hurt when she puts them on.
13. Riley is a special-needs child. Any child who has an IEP or who has special accommodations at school is a special-needs child. It is not a bad thing.
14. Riley’s CIs help her hear, but she is and will always be deaf.
15 A deaf child DOES NOT belong to the Deaf culture. She belongs to her parents.
16. Riley’s hearing aids and cochlear implants and speech therapy ARE COVERED by insurance.
17. You CAN have X-rays if you have CIs. Riley has had them done at the dentist.
18. You CAN swim if you have CIs (you just take off the processors.) No, you can’t do deepwater diving, but how many people do you know who are deepwater divers?
Riley’s had two softball practices with another set for Saturday. She’s paying better attention this year, but we still need to figure out a better way to communicate than just yelling at her. It’s hard for anyone to hear a coach yelling from the dugout during a game and even harder when you’re hearing impaired. That’s one reason we’re considering an FM system … so she can hear easily whether she’s on the field, in the classroom or out in the backyard.
Another family offered to let Riley try out the system their children no longer use, so I think a phone call is in order. Of course, the system will have to be tweaked to complement Riley’s hearing and programs, but we should get started on this soon.
The first two practices were COLD – the poor girls were bundled up so tightly they could barely move! And you know how much it hurts when you swing the bat and don’t hit the ball solidly. Ouch!
She batted right-handed the first practice and did OK, but she switched back to being a lefty the second day and did even better. I’m going to let her decide how she’s most comfortable at the plate. Lefty or righty, it’s her choice.
The coach worked her out at second base and Riley did really well for her first time on the field since May. Several of the other girls played throughout the fall and are also playing on a travel team during the community season, too. They’re getting a lot more reps, but Riley will catch up.
I’m the dugout mom again – keeping the batting order; making sure helmets, batting gloves and bats are where they’re supposed to be; helping the catcher get dressed; bandaging any scrapes or strawberries; and yelling for mom or dad if I can’t help. Basically, several moms are tag-teaming to take care of everything from uniforms to snacks to picture day to concession duty.
We’re all ready for spring and softball and warm weather.
Today is my rock star fantasy’s birthday: JBJ is 48 and still rockin’.
Here’s a bit about how this love affair started:
My journey into infatuation started in the mid-1980s. I was about 14 and just getting into MTV. Long hair, tight leather pants and ripped shirts were all the rage. And I’m not talking about the ladies.
One band surpassed all others in every way…music, looks, number of cans of Aqua Net … Bon Jovi was the baddest, the coolest and the hottest. To use the slang of the day, lead singer Jon was fine. And I was hooked.
As a teenager, I didn’t have the means to buy the albums or go to the concerts. I started my collection by obsessively listening to the Top 40 countdown shows on the radio, tape recorder at the ready. “Casey, would you stop talking over the intro!” I wore those cassettes out, playing “Livin’ on a Prayer” and “Bad Medicine” over and over and over.
I taped their videos, their appearances, anything I saw. I have no idea where those tapes are now, but I wish I could find them.
Yes, I changed the words to “I was born to your baby, you were born to be my man.” Yes, I imagined getting backstage and meeting Jon. (Get your minds out of the gutter – he was always a perfect gentleman. And back then I wasn’t as well educated as the kids are now.) Yes, I begged my mom to let me go to their concert in Huntsville just before I turned 16 … no dice.
Fifteen years later, just as I was about to turn 30, part of my fantasy was fulfilled. I was in the same building as Jon. Oh, my gosh … finally I got to see my Jersey boys in all their glory! And I was not disappointed.
It was like going back to high school…I felt like a schoolgirl, screaming and dancing and singing every song.
I’ve seen Bon Jovi twice more since then, and unless I hit the jackpot, I doubt I’ll see them in April in Nashville. Ticket prices continue to climb, and I can’t justify $150 for a ticket stuck in the middle of an arena, where I can barely even see Jon, where my camera batteries will die five minutes into the show because I’m so far back I have to use the flash, where my photos will come out grainy because I have to shoot the big screen in order to even see Jon’s face, plus finding someone who can afford to go with me … and so on.
They’re pricing fans out of their shows, and it’s unfortunate. Even being a fan club member got me no perks … unless you consider $1,500 for a front-row ticket a perk. Sure it’d be a priceless experience, but sometimes the price is just too high.
The ever-increasing cost of seeing my favorite band live tends to dampen my love a bit. It’s disappointing that longtime fans have to spend so much money just to get decent seats. Meanwhile, bands and brokers and promoters are raking in the dough. It’s frustrating and unfair.
I’ve previously talked about taking Riley to her mapping appointment at the HEAR Center. You’re probably wondering what that means. Mapping means programming. It’s a little like upgrading the software on your computer. Sometimes your computer slows down or needs a boost to do some new processes.
Same thing with the CI processors, which are the pink and blue devices you see Riley wearing. They contain tiny computers that need occasional updates.
The cochlear implant processors have to be readjusted at various intervals depending on how long a child has worn them. For example, when Riley first got her CIs, she had to get them mapped every month for the first couple of months. Then every three months for a couple of years. After nearly seven years, unless she’s having trouble with the CI, Riley’s map is updated every six months.
The audiologist hooks the processors to her computer and updates the software on them. This mapping sets the devices’ electrode stimulation levels in Riley’s cochlea so she can detect soft and loud sounds comfortably.
Over time, Riley will adapt to the settings. What was once too loud might become too soft as her brain’s auditory center gets used to the sounds. Then we’ll go back for another mapping session.
This short short story is just a compilation of memories from my childhood. I’m not sure if the people and dates actually match up, but this is a snapshot of a day in the life of two little kids in Town Creek.
by Tiffani Hill-Patterson (April 7, 1999)
Rrrrriinnnnngggggg. Finally. School is out. Time for a Coke and a candy bar.
I grab my books and wait on my little brother, Michael, to meet me at the end of the hall. I’m 10, he’s 7 and we both go to Hazlewood Elementary School.
“What took you so long?” I ask.
“Miss Davis made me stay after,” Michael says.
“Did you get in trouble for not having your homework again?” I ask him.
“Yeah, I’ve got to get a note signed, too,” he says, frowning.
“Oh, well, you probably won’t get a whipping or anything. They’ll just make you miss ‘The Dukes of Hazard’ tonight.”
Daddy is waiting for us at the end of the road by the school. Our house is right across the highway, but he doesn’t want us to cross the big four-lane by ourselves. So he meets us whenever he is off work to help us. If he’s at work, we walk to the babysitter’s because Momma works, too.
“Hey, y’all,” Daddy says. “How was school?”
“Fine,” we say together. But Michael hands Daddy his note.
“What happened with your homework?”
“I forgot about it. We had baseball practice and I forgot.”
“Well, I’ll let you off this time, but from now on you better have it done,” Daddy says sternly.
“Yes, sir. Can we go to the store now?” Michael asks as we begin to scurry across the highway. Traffic is heavy at this time of day in our little town. High schoolers who drive and parents who pick up their kids from school form a line that stretches about 100 yards from the red light and past our house.
“Not yet. I’ve got to go to the post office and go pay some bills,” Daddy says as we reach our road.
“Awwww. That’ll take forever,” I whine, walking up to the carport.
“Get in the truck and we’ll hurry,” Daddy says. So we all climb into the old gold Chevy, roll down the windows and turn up the radio. The post office is two minutes up the highway and City Hall, where Daddy pays the water bill, is a minute from the post office.
We pull up to the post office and climb out of the truck.
“Daddy, can I open the box?” I ask. Daddy picks me up and tells me the combination of letters as I turn the knob. I get the box open and out tumbles the mail – a Field & Stream, a couple of “duns” as Daddy calls bills and a Marvin Morgan Furniture circular. I love getting the mail.
Daddy gathers all the mail while Michael and I stare at the FBI “Most Wanted” posters behind the glass casing. We memorize the faces, just in case.
Back in the truck we head down the street to City Hall so Daddy can pay the water bill. He never understands how it can be so high. It’s probably because Michael and I run the hose outside for so long, squirting each other to death.
Michael and I play with the radio a minute, and then Daddy walks out the door. Uh-oh. Mr. Hoover stops Daddy to talk.
“Look, Michael,” I say, nudging him with my elbow. “Now we’ll be here all day.”
“Yeah, Mr. Hoover always talks too much.”
After listening to The Oak Ridge Boys sing “Elvira” on the radio, we finally see Daddy shaking Mr. Hoover’s hand and walking to the truck.
“Can we go now?” Michael asks.
“OK,” Daddy says as he cranks the truck. “Where do you want to go? Clayton’s or Mr. Reg’s?
“Mr. Reg’s,” we yell.
Mr. Reg has a punchboard that you can play for a quarter. We love to punch out that piece of paper, hoping to win something.
We go home, get out of the truck and walk through the backyard to Mr. Reg’s. It’s easier to walk than drive and park at Mr. Reg’s. His parking lot is on the corner of two highways and it’s barely big enough for one car. So we walk through our grass, stop on top of the grate to look down the water drain, jump up and touch the Joe Wheeler State Park sign, and finally step into the cool, damp store.
“OK,” Daddy says. “Tell Mr. Reg what you want.”
“I want a Coke and a plain Hershey bar,” I say.
“I want a Dr Pepper and a Whatchamacallit,” Michael says.
“And I’ll take a Coke and a bag of peanuts,” Daddy says.
“All right,” Mr. Reg says and hands us our food. “That’ll be $2.50.”
As Daddy pays for the goodies, we grab the drinks out of the cooler and stick them under the bottle opener and pop off the caps.
We walk back to our yard and settle under our big oak tree next to the highway.
Daddy dumps his peanuts in his Coke, and Michael and I tear open our candy bars. We play the car game – the red cars are mine, the blue ones are Michael’s. And that chocolate tastes so good.
We got there early and headed for the bar and a drink. We camped out in a booth near the sound board and waited. It wasn’t long before I spotted bassist Nick Jay and introduced myself. We chatted for a moment then he went to change clothes for the show.
A few minutes later, out of the corner of my eye, I see a guy walking up to the bar. Yep, it was Jonathan Tyler. I waved and went to say hi. Bless his heart, he remembered our conversation on Twitter, and he came over and talked to me and Kim.
Soon we were hanging out at the pool tables watching JT, Nick, Jordan Cain (drums), Brandon Pinckard (guitar) and Jimmy (tour manager) rack ’em and break ’em before showtime. The guys were easy to talk to and seemed genuinely interested in what we had to say.
Once onstage, joined by fabulous vocalist Mo Brown, the band did not disappoint. Opening with a cut off their upcoming album Pardon Me, slated for release in April, they got the crowd, though sparse, moving. From my post leaning on the stairs, I could see folks bobbing their heads, tapping their toes and doing that little shoulder shake we all do when we hear something we like.
They played two of my favorites Slow Train and Gypsy Woman, and though I’m sure I looked a fool, I couldn’t help but dance while shooting some photos. Good music always makes you move.
Their music? Gritty, honest, soulful, Southern, bluesy rock. But listen yourself. And don’t let Jonathan’s soft-spoken, sweet voice fool you. This man can sing, with power. JTNL are not some little bar band hoping to make some cash. They have played with Lynyrd Skynyrd, Kid Rock, AC/DC, even drawing a huge crowd, and an unheard of encore, at the Austin City Limits Music Fest.
After the much-too-short set, Kim and I finally met Mo and Brandon, took advantage of photo ops and the merch table, and shared a round of shots with the band. Maker’s Mark. (And I managed to stay upright.) We got the scoop from poet, playwright, author and singer-songwriter Mo, chit-chatted with the dudes and watched a few games of pool before it was time to load out.
All in all, it was one of the best music experiences I’ve ever had. Not only are they great musicians, they are nice, asking about our lives and including us in the conversation. Now that’s how you connect with fans … and keep them.
Jonathan Tyler and The Northern Lights are going to make it big. Right now, they’re touring the country, and if you get a chance to hear them, take it. I promise you won’t regret it.
Before A Moveable Feast, I had never read an Ernest Hemingway book. I have a lot of catching up to do.
Interspersed throughout his stories about his time in Paris in the 1920s, Hemingway describes his writing process (“I always worked until I had something done” ) and how he coped when the words would not come (“All you have to do is write one true sentence. Write the truest sentence you know”).
He talks about his friendships with Gertrude Stein (she was “always right”), Ezra Pound (“the most generous writer I have ever known”) and F. Scott Fitzgerald.
Though he seemed somewhat of a chauvinist (“There is not much future in men being friends with great women …”), a surprising part was his writing of fatherly duties such as boiling nipples and mixing formula for his son Bumby’s bottles and taking Bumby with him while he wrote in cafes.
However, the fatherly duties didn’t include hiring a sitter. He and first wife Hadley often left Bumby alone at home in his crib, watched over by only the family cat. “F. Puss was the baby-sitter,” Hemingway explained.
If you’re interested in Hemingway, “A Moveable Feast” is a good first look. It offers insight into how he wrote and how his personal life influenced his works. *Disclaimer: I received this book for free from Wonders and Marvels in return for a review.
The following questions come from author and writing teacher Christina Katz:
On a scale of one to ten, how’s your self-respect? Can you say no? Do you say yes to yield to social pressure and supposed-to’s and then suffer for it? Are you catering to too many other people’s needs but burning out in the process? Do you listen to and trust your instincts about what is and isn’t the best way to proceed?
My self-respect is about a 9 – hey, no one’s perfect, right? Over the past year, I’ve learned to say no when a writing project doesn’t fit my goals or when the topic doesn’t interest me. If a subject doesn’t appeal to me, it’s hard to make it interesting for others. And isn’t it a bit dishonest? “Hey, I couldn’t care less about doomaflotchies, but I sure wish you’d read my story about them.”
Also, I got in over my head a couple of times last year, taking on too many assignments and had to back out of projects. I hated doing that, but I would’ve hated even more turning in something that wasn’t up to par. Now, I’ve learned how much I can handle without spreading myself too thin or losing my sanity or self-respect.
And when it comes to getting paid for my work, I’m not afraid to ask for more. The worst a client can do is say no, but many times they’ll say yes. For instance, yesterday, after agreeing to write a piece on short notice, I asked my editor if she could bump up my per-word rate. She thanked me for my work and doubled my rate for this article and future ones.
Another editor agreed to boost my pay for an assignment after I pointed out that a lot of information was available on my topic and would need to be distilled. A couple of national sources and two or three local sources and I’m good to go.